|
Catalogue
Description:
Credit 3 hours. Introduction to theory and practice of digital
image manipulation and creation. Students will explore basics of using
the computer as an expressive art-making tool including use of vector
and raster graphic software, basic animation, an introduction to the web
as an artistic medium and digital photography techniques. Six hours of
studio a week. Synopsis:
New Media and Animation I is an introduction to the theory and practice
of digital image manipulation. In addition to learning the industry
standards in digital imaging software, the methods, purposes and context
of making art in the age of the Digital Revolution will be explored.
In this class you will be using the computer, one of the most potent
image making devices ever created (at least since the invention of the
opposable digit, i.e. your thumb). This is not just a PhotoShop Class!
The computer is the place where still images, sound, video, television,
radio, post office, library, and office collide. To help you survive
that collision there will be several readings in conjunction with digital
assignments. We will be reading essays that will form the theoretical
framework for assignments. A reading response posted on the class web
site (http://www.johnvalentino.com) is required for each reading. We
will be using all of the readings in creating and critiquing images
during this class.
Prerequisite: None
Course Goals and Objectives:
• Students will learn computer based imaging as an art form.
• Students will learn raster and vector based imaging software
to create artworks.
• Students will learn critical theory as it relates to digital
imagery.
• Students will learn various digital input and output techniques.
• Students will learn how to effectively use computer hardware
including printers and scanners.
• Students will develop craftsmanship skills appropriate to a
basic level of study.
• Students will learn the history of the digital art media.
• Students will learn to critically analyze computer-generated
art works and to critique both verbally and in a written form, their
art and the art of others.
Accommodations for Disability
Note: If you are a qualified student with a disability seeking accommodations under the Americans with Disabilities Act, you are required to self-identify with the Office of Disability Services, Student Union, Room 1304. No accommodations will be granted without documentation from the Office of Disability Services. The deadline for registering or making accommodation changes is two weeks prior to the start of the Final Exam period. Any requests received after the deadline will generally be considered for the following semester.
Note:The last day to resign from the University or withdraw from classes, without a grade penalty, is Friday, November 3 Deadline at 12:30 p.m.
Note: “Free discussion, inquiry, and expression is encouraged in this class. Classroom behavior that interferes with either (a) the instructor’s ability to conduct the class or (b) the ability of students to benefit from the instruction is not acceptable. Examples may include routinely entering class late or departing early; use of communication devices, or other electronic devices; repeatedly talking in class without being recognized; talking while others are speaking; or arguing in a way that is perceived as “crossing the civility line.” In the event of a situation where a student legitimately needs to carry a communication device to class, prior notice and approval of the instructor is required.” Classroom behavior which is deemed inappropriate and cannot be resolved by the student and the faculty member may be referred to the Office of Judicial Affairs for administrative or disciplinary review as per the Code of Student Conduct which may be found at http://www.selu.edu/admin/stu_affairs/handbook/.
Internet use During Instruction Time:
Internet access is provided to each computer in the New Media Lab. Students are encouraged to use the internet and world wide web as a resource, research tool and window into contemporary culture. However, students are not to spend time on personal Facebook or other social media sites, shop or otherwise surf the web during instructional time when it does not directly pertain to a New Media project. Students will not, under any circumstances, use the computers or internet connection to play games during instructional time. If you are observed partaking in these activities during instructional or independent work time you will receive a 50% reduction in grade for the current assignment.
No cell phones during class - check your messages during breaks.
Academic Integrity
Students
are expected to maintain the highest standards of academic integrity.
Behavior that
violates these standards is not acceptable. Examples are the use of unauthorized
material,
communication with fellow students during an examination, attempting to
benefit from the work of another student and similar behavior that defeats
the intent of an examination or other class work. Cheating on examinations,
plagiarism, improper acknowledgment of sources in essays and the use of
a single essay or paper in more than one course without permission are
considered very serious offenses and shall be grounds for disciplinary
action as outlined in the current General Catalogue.
Facility Use Policy:
With this newly equipped facility, the Digital Arts Center is a state-of-the-Art
complex. Students who enter and study within this environment are expected
to treat its many electronic facets with complete respect. There will
be no storage of projects on the hard drives of work stations. You will
be instructed on the policies with regard to the proper storage procedures
within each class. Each work station has been set-up for the needs of
students within this center and there will be no altering of hard drives,
systems, changes in font listings or software programs. If changes within
these configurations are found, increased security will be implemented.
Visual Arts + Design Unit Attendance Policy:
Students are expected to be punctual and attend all classes. Attendance will be recorded at the beginning of each class period. A student’s presence in class has a direct impact on overall course evaluation. Lectures, critiques, and in-class assignments are formative in shaping a student’s participation grade and overall success in the course.
If a student is absent within the first 14 days of the semester he/she may be withdrawn by the instructor. The last day to withdraw from this course is Friday, March 24, until 12:30 p.m. Students must drop the class if they plan not to attend, otherwise the appropriate failing grade will be assigned at the end of the semester. It is the student’s responsibility to make up any missed project, in-class assignment, or other information covered during class time.
Assignments:
In addition to the reading assignments you will have four imaging assignments.
Most of the assignments will require that you make new images. Previous
work can only be used with the instructor's approval. All assignments must be submitted
to the instructor one week after the critique in print form or on the New Media Server. You are required to keep backup
copies of all of your files which means you will need at least a 500GB
USB External Drive to archive your work.
Reworked assignments may be resubmitted for a higher grade at the instructors discretion only. No assignment will be accepted after the final critique at the end of the semester.
Evaluation (testing and grading):
• Students are evaluated regularly in one-on-one and in groups through
verbal and visual critiques and are evaluated on their ability to participate
in critiques.
• Students will address content, problem solving, craftsmanship,
and creativity, during critiques.
• Students are evaluated by the instructor in a one-on-one review
of works assigned for that review.
• Students are given a written evaluation of each assignment. The
evaluation assesses the following items: Concept, technique, problem solving,
and challenging personal limits.
• Students are also evaluated at the end of each semester in a final
group of a digital portfolio of their artworks.
Evaluation (testing and grading):
- Assignments - 60%
- Work in progress Critiques/Participation in Critiques - 30%
- Exams/Reading responses/Class Participation- 10%
Assignment grades will be based on the following criteria:
- Concept
- 25%
- Technique
- 30%
- Problem
Solving -25%
- Challenging
Personal Limits - 20%
Artworks will be evaluated based on the following criteria:
Concept 25%
- Complexity of subject
matter
- Maturity of subject matter
- Appropriateness to audience
Technique 30%
- Camera technique
- Image Correction Technique
- Quality of graphics
- Composition
Problem Solving 25%
- Overcoming technical difficulties
- Utilizing resources
Challenging Personal
Limits 20%
- Relative difficulty of
project/concept
- Length/size of project/object
- Time management
Final
Exam
Thursday, December 7, 10:15 a.m. - 12:15 p.m.
Project Requirements
Specific project requirements will be outlined as each project is assigned,
however some guidelines will remain constant for all projects:
Supplies
Critiques and project submission
For every scheduled group critique students must present to
the class their solution to the visual problem presented in class in
a state of completion suitable for discussion. Work presented at critiques,
and the students effective visual and oral presentation will be
assigned a grade.
You must paricipate in group critique. Failure to show your work in critique will result in a 25% reduction in grade.
Final submissions are due before
class one week later (or by a time specified by the instructor). It is your responsibility to make sure the instructor has your work on time.
Submissions:
Student work must be submitted in digital file format and in
inkjet prints (unless otherwise specified by instructor) to the appropriate
section within Classwork/ART190 folder on the Digital Arts Server.
Students MUST make prior arrangements with instructor for submissions
if they will be absent when a project is due and are responsible for
arranging a critique and submission of work with the instructor.
Course Notes:
CourseNotes and other resource materials for this course can
be found on-line at <http://www.johnvalentino.com/Art190/190Notes.htm>.
Please download a copy of the notes from the web site, and keep them
on your portable hard drive for future reference.
Software:
The software tools we will be exploring will include:
Adobe PhotoShop One of the most popular and important graphics
programs. It is used by professionals in nearly every field from publishing,
design and photography to 3D modeling and animation. PhotoShop is the
standard for pixel based artwork.
Adobe Illustrator: An object-oriented drawing program used to
create logos, scientific illustrations, clip art, page layouts and any
vector based design materials.
After Effects: Adobe After Effects is a multimedia developing software which is used to create animation, and video.
Projects and Exercises
- Project
1: Building Character
Designing a character with vector imagery. Students use Adobe Illustrator to create a character for their walk cycle.
- Project
2: Panoramic Setting
An exploration of the communication impact of recombining and reprocessing
found and created images.
- Project
3: Walk Cycle and body language
- We learn how to create a simple walk cycle animation using Adobe After Effects.
This animation will contain a simple narrative.
- Final
Project: Existential Crisis: After EffectsAnimation
- Talking Sequence and internal debate
Class
Schedule:
Week
1 |
Aug. 17 |
Class
Introduction, Computer Lab Orientation
Macintosh
OS and File Management Exercise
1: Vector
Drawing Basics |
|
Week
2 |
Aug. 22 |
Exercise 1: Vector Drawing
basics
Project
1 Presented: Building a character |
|
|
Aug. 24 |
Exercise One-on-One Fundamentals |
|
Week
3 |
Aug. 29 |
Exercise One-on-One Fundamentals continued |
|
|
Aug. 31 |
In
Class Work Session/Demos |
|
Week 4 |
Sep. 05 |
Reading
1 Due. Digital Technologies as a Tool
|
|
|
Sep. 07 |
Project
1Critique |
|
Week
5 |
Sep. 12 |
Project 2 Presented: Panoramic Setting |
|
|
Sep. 14 |
Exercise 3: Raster
Painting |
|
Week 6 |
Sep. 19 |
Exercise 3: Raster
Painting continued |
|
|
Sep. 21 |
Exercise
4: Image Processing, Project
2 Proposal Consultation |
|
Week 7 |
Sep. 26 |
Reading 2 Due. The Work of Art in
the Age of Mechanical Reproduction.
|
|
|
Sep. 28 |
Adjustment
Layers, Layers, Selections, Paths
|
|
Week 8 |
Oct. 03 |
Artist
Presentation Exercise 5: Input and output. |
|
|
Oct. 05 |
Project
2 Critique |
|
Week 9 |
Oct. 10 |
Project
3 Presented: Walk Cycle |
|
|
Oct. 12 |
Fall Break |
|
Week 10 |
Oct. 17 |
Principles of Animation |
|
|
Oct. 19 |
Animation (After Effects) |
|
Week 11 |
Oct. 24 |
Walk Cycle: Loops |
|
|
Oct. 26 |
One-on-one instruction |
|
Week 12 |
Oct. 31 |
One-on-one instruction |
|
|
Nov. 02 |
Project
3 Critique |
|
Week13 |
Nov. 07 |
Final Project
Presented: 2D Animation Storyboards |
|
|
Nov. 09 |
Storyboards presented. Exercise
7: Puppet pins |
|
Week 14 |
Nov. 14 |
Storyboards Due: |
|
|
Nov. 16 |
After Effects: Time Remapping |
|
Week 15 |
Nov. 21 |
After Effects: Rendering |
|
|
Nov. 23 |
Thanksgiving Break |
|
Week 16 |
Nov. 28 |
After Effects: Filters |
|
|
Nov. 30 |
In Class Work Session/Demos (After Effects) |
|
Final |
Dec . 7 |
Thursday, December 7, 10:15 a.m. - 12:15 p.m |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|