. | Digital
Photography Notes |
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. | Metering |
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LIGHT METER - An instrument that measures the amount of light
falling on a subject or emitted or reflected by a subject allowing aperture
and shutter speed settings to be computed. Most SLR cameras are equipped with a cadmium Sulfide cell light meter
which operates on batteries. Light
hitting this cell generate an electric current. The more intense the light source the greater the current generated.
Older light meters operate with a Selenium cell. Thess are not very sensitive to dim light.
Four different types of light meters:
-To operate properly a light meter must be set at the proper ISO (film speed)!!
On an in-camera meter there will be a window within your focusing frame which will be read by the meter. This window is generally in the center. -A light meter is only a measuring device, it cannot interpret what it reads. It simply averages each scene to 18% Gray. If your scene is not average then you will need to interpret using your knowledge of a scene 18% gray can be expressed
as average lighting or 50% light 50% dark.
it is expressed as 18% because most objects absorb light.
the majority of surfaces and textures in a picture(grass, trees,
skin, cloth, ect.) reflect between 5% and 31%; the average isa computed
at 18%. LIGHT METER PROBLEMS 1)if you are metering a primarily dark scene then your meter will give an overexposed reading.
2)if you are metering a light scene then your meter will give an underexposed reading.
3)if you are only interested in one portion of a scene the meter may react to other portions
-To compensate for other problems a photographer may:
BRACKETING EXPOSURES - Bracketing is a term used to describe a safety technique used by many photographers. This involves taking more than one exposure of each important shot. In most cases a photographer will overexpose one shot, underexpose one shot, and take one which he/she believes to be exactly correct. In this way a photographer has a safety net just in case things go slightly wrong. This can also prevent tragic mishaps such as scratched negatives, or momentary compositional flaws (such as a kid picking his/her nose) from ruining a great picture.
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